The New Camcorder

And the winner is….

I went with the HV30, the front-runner of my little contest. The DV Shop had the best price I’ve seen (and I’ve bought a lot of stuff from them in the past and I like the store).

I would have shot an unboxing video… if I’d had anything to shoot with. I got the camcorder home, unpacked it (everything that was supposed to be in the box was, happily, there), installed the battery, and left it to charge overnight.

The HV30 battery is a different beast than the Ultura’s battery, so I won’t be able to carry over the old batteries, which still provide me with many hours of power after nearly 9 years of use. When I buy extra batteries for the HV30, I hope they last as long as the Ultura's did!

On the other hand, the HV30’s 43mm lens threading allows me to carry over a few things. My 46mm Canon wide-angle and telephoto lenses will fit on the HV30 once I get the proper 43/46 stepping ring (I’d been using a 27.5/46 stepping ring for the Ultura). And I’ll still be able to use Cokin filters, once I replace the filter-holder ring with a 43mm ring, so I'll be able to use my circular polarizer (the HV30 has neutral density filters built in, but I can add extras as needed).

After setting the date, time, and time zone (all the North American zones represented by American cities, so my HV30 thinks it’s in New York!), I set out to test it. I was looking for something with a lot of movement to better compare 24p, 30p, and the 1080i modes, so I went over to Yonge Street and shot from Beltline bridge overlooking the subway and Yonge.

I brought the manual to figure out where settings were hidden in menus to get started, but the camera is well designed, and I had no problems figuring how to operate it after reading the manual, particularly the menu items listings.

The manual warned about mixing formats on the same tape, so I put gaps on the tape between the different shots. I let the camera roll during the red light on Yonge so I could get a consistent shot for each to compare, and the subway added movement on the other side of the screen at random moments.

I kept the HV30 in the cine-look recording program for all the shots, as well as the daylight white balance setting (for sunny outdoor shooting), just to make comparing the different formats more scientific. I’ll play with exposure, shutter speed, and other settings in a future outing.

After about a half hour, I’d shot footage in the 24p, 30p, and 1080i HDV formats, and I also shot some standard definition 60i DV as well.

Next time: the first capture.

The New Camcorder Search, Part 3

Having spent the last few weeks studying the camcorder market, I realized I had to develop a list of criteria to make the decision to buy a new camcorder. The falling Canadian dollar also became a factor—with retail prices on electronics undoubtedly to rise as a result, I had to decide sooner rather than later. So… here are the four main criteria in my decision-making:
1. Mini-DV format
2. Firewire/IEEE1394 equipped
3. Final Cut Studio compatible.
4. HD and SD capable

Compression is the main factor behind the first two items. Mini-DV and Firewire are still the best in terms of the least amount of compression applied by the camcorder or computer. Hard drive, DVD-RAM, and flash memory camcorders use higher compression than mini-DV cameras, so tape still wins (until I can afford those fancy P2 card systems). USB-2 is faster than USB, but it’s still not as good as Firewire. I’d rather not add additional compression by using a slow transfer bus.
The third criteria is dictated by the computer I’m using for post-production. I’m not upgrading from Final Cut Studio 1 as explained in an earlier post, so the camcorder has to work with it and the G5. From what I’ve read on various websites and forums, as long as you correctly tell Final Cut what kind of footage you’re uploading, it should be able to accept any SD or HDV camcorder. Mini-DV cams record video as 60i even in 30p or 24p format, but FCS can handle the various pull-down ratios. Most of the problems I’ve read about on the HV20 User and other forums are related to people not setting the right format before attempting to capture. And Adobe AfterEffects has some additional capacity for dealing with pulldown ratios if Final Cut can’t.
Finally, with HD becoming so prominent in broadcast, online, and home entertainment video, the smart choice is to buy an HD camcorder. I still need something that can play SD video for the projects already shot on SD. So it has to be a dual-format camcorder.
Other factors, although not critical, are related to the fact that I’m replacing a camcorder. I don’t think Canon has changed the form factor of their batteries, so my still-good Ultura batteries could be carried over to another Canon (this, of course, gives a boost to the HV30). An XLR mike input would be really nice having used an inline transformer with the Ultura for all this time. And if the new camcorder fits in my camcorder bag, I’ll be happy.
Next week, the decision and the purchase

The New Camcorder Search, Part 2

There are only a few companies that make camcorders these days. I’ve used Canon and Panasonic, and I have only passing use of JVC or Sony camcorders.
A near clone of the HV30 is Sony’s HDR-HC9. Sony has been competing head-to-head with Canon for this HD prosumer market for a couple of years—the HC9 is the successor to the HC7 just as the HV30 is to the HV20. The Sony and Canon camcorders look so similar you need to see the manufacturer’s logo to figure out which one is which--both Sony and Canon made this year’s camcorder in black after making both predecessors in grey last year. I smell corporate espionage….
The first place I went to for research for all the camcorders was http://www.camcorderinfo.com/. This page offers thorough reviews of all major features, and it tests the important stuff—how well the camcorder processes image, colour, etc. In the HC9 review, it compares the HC9 to the HV30, giving the Sony the edge for durability and ease of operation, but gives the Canon the thumbs up for performance and features. I’m prepared to sacrifice ease of operation for performance and features, particularly 30p, so at this point, I was leaning towards the HV30.
Camcorderinfo.com pointed me towards the current JVC and Panasonic models, so I scanned through them to pick out the prosumer products in their lines. JVC doesn’t produce prosumer or even high-end consumer mini-DV camcorders anymore, so they’re out of the running.
The Panasonic model is the PV-GS500, successor to the popular GS400. Physically, it resembles the Sony and Canon models closely—the industry seems to have settled on a specific form factor for palmcorders after 30 years of development. The GS500 is a 3-chip CCD camera, as opposed to a CMOS like the other two, and it has a real live focus ring instead of a sliding switch of some sort (the GS500 has a sliding switch for the zoom, though), although the ring is not marked to indicate settings. In terms of performance, the GS500 does well in various lighting conditions, and the full range of manual settings makes it a compelling option.
I’ve decided to seek out the HV30, the HC9, and the GS500 in retail showrooms to play with them as well as searching the web for more reviews (and prices!).
Next week, the decision-making process.

The New Camcorder Search, Part 1

My needs for a new camcorder are simple: I need mini-DV so that I can recapture stuff I’ve already shot, and I want to continue to use mini-DV tapes as that format still offers less compression than consumer-grade hard drive and DVD-burning camcorders.
The leader of the camcorder pack, out of the gates, is the Canon HV30. This is the successor model to the HV20, the camcorder that brought great excitement and joy to the indie filmmaking scene when it came out in 2007. The HV20 offered, for the first time, a decent HDV camera for less than $1000 USD. The HV30 ups the ante by offering 30p as well as the two formats the HV20 offered (24p and 1080i).
I wasn’t aware of what a CMOS camcorder was prior to the HV20’s arrival, but the image quality is high enough to offer HD capability, something I haven’t worked with yet.
Naturally, the first question is whether or not the HV30 will work with my Mac. I have a 1.6 GHz G5 equipped with Mac OS 10.4 (Tiger) and Final Cut Studio 1, and I don’t anticipate upgrading to anything any time soon. My Mac had no problems capturing 24p shot from Panasonic DVX100 and DVX100A cameras we’ve used, so the next step is to see if FCS 1 can cope with whatever pull-down process the HV30 uses for 24p.
The HV30 comes with a Firewire-400 (IEEE 1394) port (as well as USB-2, HDMI, and component video, and composite video ports), so it’s not a problem getting the signal from the camcorder to the computer. The question is, of course, whether or not the computer and the camcorder speak the same language.
Next time, the other camcorders in the running.